Wouter
and Elke,
My
home is your castle
Performance - 2/9 tm 6/9 2006 - Wouter Osterholt Elke
Uitentuis
Leegeweg, Groningen
During
the residence we visited several interesting places where people live
on houseboats or in trailers, build or rebuild by themselves. We interviewed
these people and asked them questions about the way they constructed
and designed their buildings. Besides the pragmatic answers they gave
us, it also gave us an understanding of their lives and daily routine.
On our visits to these alternative compounds we became to like the energy
and the feeling of freedom visualized by the environment and by the
way people are living. We think that these alternative residential areas
are important for the diversity in a city and it gives a deeper layered
meaning to the environment of a city.
In this project we wanted to visualize the possibility to create your
own world directly and physically in an environment where this is exceptional.
Therefore we were looking for a place within a newly build area where
the houses are built by big companies. For the project 'My home is your
castle' we constructed a houseboat with used material. During two weeks
we worked on our house without a clear construction drawing. Gradually
the boat began to take shape. When it was finished we transported it
to the spot where we put it in the water.
We brought the self-made boathouse to a small decorative lake within
a newly build neighbourhood. The lake is surrounded by houses and streets
and the small lake has no direct connection with any other open water.
For four days we stayed on board of the houseboat. During our stay on
the lake we noticed that our presence on the houseboat made the 'public'
curious. We entered what we thought to be a public space but gradually
we were confronted with the semi-private atmosphere of this space. The
physical distance felt really close and we were continuously watched
from behind the curtains, from balconies, gardens and the surrounding
streets. But at the same time there was a distance because our boat
was lying in the middle of the lake. We were balancing on the boundaries
of private and public space. Our first idea of the autonomous quality
of the sculpture itself transformed to a more social performance about
voyeurism.
After the first day we noticed that we had brought adventure in the
backyard of the inhabitants. In a peaceful neighbourhood where nothing
exciting or exceptional is happening suddenly there were these people
trying to live in a small and primitive houseboat. The first night we
were under attack by some stormy weather and lots of rain. Our boat
wasn't fixed properly and we hit the shore. Immediately there were people
helping us and offering us drinks and a more comfort place to sleep.
The inhabitants watched our movements very closely and in the same time
we observed their behaviour. Most of them didn't communicate to us directly;
the ones who did asked us what we were doing, how long we were going
to stay and how we came there. Some of them were also curious how we
survived on this houseboat; they asked if we had a toilet, electricity,
enough food, etc. There were people who couldn’t believe we lived
without electricity.
Our
temporarily presence in their backyard broke the illusion of peace and
safety. Suddenly we were a new component in their environment. We were
accepted for 4 days and 4 nights to stay in this semi-private space.
Nobody called the police. Was it because the performance was absurd
or did they like a little excitement in their quiet environment? A lot
of questions for both sides came up during this experiment. It didn't
give us any answers only new opportunities.








